When you hear a 1,4,5, it’s a Blues progression C,F,G, also called I IV, V. The W-W-H-W-W-W-H Formula is used to create a scale comprising of 8 notes: “C, D, E, F, G, A, B, C,” this is the C Major Scale, C1, D2, E3, F4, G5, A6, B7, and C8. The theory behind this is unrelated to the subject and requires another discussion. Sharps “#” and Flats “b” are essentially the same notes, and there’s no # or b between E and F, B and C. The Chromatic Scale is a 12 pitch musical scale, octaves derive when frequencies are doubled, between the doubling of vibrations or high and low octaves consist of 12 notes: “C C#Db, D, D#Eb, E, F, F#Gb, G, G#Ab, A, A#Bb, B, C, 13th note constituting the octave. Objects traveling in a straight motion above the earth deflects towards a curved path to a stationary observer above the surface am i being monotonous? Chuckle Ostensibly! Newton’s First Law describes an object in motion stays in motion unless acted upon by and external force, hence the deflection of an object derives from a force acting upon on it. There’s also a velocity component involved because the thrower is in motion. Here’s an analogy two people are rotating counterclockwise in the diameter of a circle opposite of each other, if one person “Yells!” or “throws a ball,” from the center to someone on the edge it gets deflected to the right, and in a clockwise motion the “sound” or “object” gets deflected to the left. Objects in motion above a rotating surface will curve in relation to the surface revolution of that object a geographical phenomenon where the uniformity of a moving object in the Northern Hemisphere is deflected to the right, while objects in the Southern Hemisphere is deflected to the left. The Coriolis Effect is an artifact of the earths rotation on its axis there’s a curvature in the oceans current, global wind and everything that’s in motion across the earths surface. There’s an increase expected value based on the Fibonacci sequence symmetry of geometric patterns, whether animate or inanimate, intangible or tangible objects seems to propagate under the governed underlying sequences in the increments of symmetry. The number formula that unravels the mysterious patterns in nature, demystifying the enigma of sheer improbability into a probabilistic theory of chance variations. When both spirals are counted each spiraling patterns have Fibonacci sequences, a numbering system when the patterns are counted. In a Fibonacci sequence spiral there’s pattern propagation in pineapples, the outer layers reproductive patterns gradually widens in contrasting directions, both clockwise and counterclockwise. The numbering system appears in subset-incremental patterns in nature, a visual depiction of growth effect promulgating the sequence in all forms of symmetry. Primarily, 1, 2, 3, 5, 8, 13, 21, 34, 55, into infinity, basically 1 and 2 equates 3, 2 and 3, equates 5, 5 and 3 equates 8, and this indefinite cycle is perpetual. Nevertheless, i’ve aggregated my thoughts disparity and consolidated a theory.įibonacci Sequence is a numbering system that’s a recursive sequence in nature, a mathematical formula that calculates the subsequent number by adding the past two preceding numbers. Completely unrelated to Musical Compositions i’d assume However “The Doppler Effect” and “Red Shift” makes sense because the frequency of a sound/wave emanating from an object in motion towards a source becomes higher in pitch. Strangely enough, unrelated thoughts like “The Doppler-Effect, “Red-Shift,” “Relativity,” “Frame of Reference” and “The Physics of Motion,” came to mind. Today while transposing a musical composition to a different key I pondered on the Fibonacci Sequence and its relationship to Music, Biology, Physics and Linguistics. 2: Fibonacci Coriolis Sequence Fibonacci Coriolis Sequence Biological Structuresįibonacci Sequence/The Coriolis Effect/Chromatic Scales
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